Mittens with a metal holder to fit your cigarette. Keep your hands warm when you go outside for a smoke... Remember kids, smoking is not big or clever and it WILL kill you ... but if you want to die, you may as well do it with warm hands!
Product conformity is of paramount importance. Safety and responsibility for environment begins at the design stage of each product, the specification of materials and components, right through to the production method. We strive to supply you with a safe product and one that conforms to all regulations.
This is not a Toy This product has not been classified as a toy, and therefore is not intended for children.
Recyclable Packaging Made from materials that can easily be recycled if disposed of correctly.
Tobias Wong was born and raised in Vancouver, Canada. He studied architecture at the University of Toronto and received a full scholarship to attend New York City’s prestigious Cooper Union School of Art, where he graduated from the sculpture program in 2000. Tobias’ work has exhibited at the Museum of Modern Art, Museum of Vancouver, San Francisco Museum of Modem Art, Vancouver Art Gallery, National Design Museum as well as Cooper-Hewitt. His collaborations include those for Colette, Comme des Garcons, Prada/OMA, Cappellini and Swarovski Crystal Palace. Tobias’ work was often irreverent, but never disrespectful. The “bad boy” of design was influenced by Dada and, especially, Fluxus. He challenged us to reconsider issues of authorship, of disciplinary boundaries, and the role of objects in our lives. Much of Tobias’ work can be seen fundamentally as conceptual art; art as idea, where what we view is the vehicle for an idea. Tobias was uncomfortable with "uniqueness and preciousness" as well as ownership. Many of his works have associations with design and make references to art history. Just as poets rearrange everyday words into remarkable poems to help us see the words’ intrinsic beauty and symbolic meaning, Tobias took mundane and utilitarian objects and turned them into incredible sculptures or provocative statements. His art is both intuitive and cerebral. He tirelessly explored new ways to make and think about art, while poking at our societal obsession with mass consumption. And he did so without really telling us whether he condoned or condemned that obsession — leaving this task to us.